Meet Y-STAND

Dr. Diana Yusupov, DMA, MM — Orchestra Director, BASIS Chandler, Arizona, USA

I have been using the Y stand as a teaching tool both in my private cello studio and in my orchestra classroom, and it has completely transformed the way I teach. The ability to step off the conductor’s podium and immediately demonstrate a passage without needing to reposition or adjust, has made my instruction far more fluid and effective. With the Y stand, the instrument remains right by my side as I conduct, allowing me to seamlessly move between directing and playing.

This versatility has made a noticeable difference in how efficiently I communicate musical ideas to my students. I can model phrasing, articulation, and tone in real time, which keeps rehearsals engaging and productive. It also creates a more dynamic presence in the classroom, helping students stay visually and musically connected.

Beyond teaching, the freedom of standing with the cello feels natural and empowering. The Y stand offers both stability and accessibility, making it an incredibly practical addition to my daily work as a performer and educator. I truly believe it’s a game-changer for modern cellists

Mr. Patrick Murphy, Director of Teaching and Learning

Cello Performance Fellow, University of Queensland:

"I love the Y stand, for many reasons. For years I've wished I could stand up with my high-register string colleagues in string quartet and chamber orchestra performances. Now I can, and the sound is remarkable — standing opens up a new level of projection and support in the texture of the ensemble. Teaching and leading ensembles from the front is hassle free with the ability to be seen and heard by the whole group.

Adapting to the standing position when playing is surprisingly intuitive. When you’re freed from the chair, you can think more deeply about how you use bodyweight. We’re always told to spend more time on our feet for our health, but poor cellists have traditionally drawn the short straw in this regard!

It’s great to be able to walk away from the cello to write notes in the part (or even pick up a coffee!) knowing that it’s securely held in position. I’m certain that in time this stand will become a normal part of the cellist's kit".